"The Kiss" is a musical conceived by Will Vinton, I was friends with from a very young age, when I was making stop-motion animated short films, and a frequent attendee of his Portland Creative Conference. So, it was nostalgic for me just to enter the lobby, and see the early sketches of various things in the production. (Make time to loiter a bit, it's well worth it.)
My favorite moments in the production are, unsurprisingly those that are reminiscent of animation. Those moments in which one is struck by an actor's ability to execute movements that would seem to be in the realm of cartoons. Such as, when Keaton Fields does his "seduction dance," insisting in song how easy it will be to procure the kiss he needs to turn him back into princely-form. (Mr. Fields is a fresh from Acting School, his trajectory derailed by the pandemic. This is his debut-role, but --mark my words-- we'll be seeing much more of him.) Another actor deserves similar praise for his fully-committed portrayal of a rodent, but doing so by name would be a major-spoiler.
I felt honored to be among the first to see "The Kiss," Vinton's final creative work. Yes, it took me back to my past, but it also cemented my faith in Portland's artistic-future.